Jan
27
The Double Life of Veronique (1991, France/Poland, Krystof Kieslowski)
Wherein Ben and I differ on the relative merits of Kieslowski's first post-Cold War feature.
Ben Begins:
It's probably too bad that I didn't have the energy to write this review last night immediately after watching TDLOV. Last night I liked it considerably less than I do this morning, so we could have had a better disagreement. Nevertheless, I hope to nit pick enough to bug you. Before I attempt this, however, I will have to acknowledge what is obviously excellent about the film.
It is a terrible shame that Kieslowski is no longer alive making films, of course.
Wherein Ben and I differ on the relative merits of Kieslowski's first post-Cold War feature.
Ben Begins:
It's probably too bad that I didn't have the energy to write this review last night immediately after watching TDLOV. Last night I liked it considerably less than I do this morning, so we could have had a better disagreement. Nevertheless, I hope to nit pick enough to bug you. Before I attempt this, however, I will have to acknowledge what is obviously excellent about the film.
It is a terrible shame that Kieslowski is no longer alive making films, of course.
